Trouble With the Term Art Carolyn Dean Is She Bias
Reading Response: the Trouble (with the Term) Fine art past Carolyn Dean
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In Carolyn Dean's article, "The Problem (with the term) Art", she conducts an inquiry into what exactly the qualifications of fine art truly define. She argues that the term art is too widely and generally used. Specifically focusing on "not-western art" besides referred to as "primitive fine art", these arts were not fabricated with the intention of beingness what is referred to as the discipline of art. However considering of the shift in the elasticity of the term fine art, there are no rigid qualifications for what is deemed art. "Art is an ambiguous term with multifarious and inconsistent meanings".
Art is a discipline and is composed using techniques and practices made for primarily entertainment and for monetary bounty. Pieces of the by such as the masks of African tribes or cave wall writings are considered visual art in the eyes of many today. Dean refutes that by lecturing that with these pieces there is a loss in cultural and historical significance if they are labeled art. Dean stays truthful to her thesis throughout the commodity for the bulk whilst also revealing several holes in her statement as a result of logical fallacy in her reasoning. She uses several examples of primitive art forms, such as the Incan Rocks, to farther her statement that these pieces were non fabricated with the intent of being art. Rather with the rocks, they present a more cultural significance than a higher purpose such as art. Other forms like this fine art, such as symbolistic sculptures, were used to convey the importance and themes of religion and beliefs. Dean is very insistent that pieces before western civilization was established could not be accounted as fine art in her definition due to the timeline. This view is unbiased every bit Dean argues from a standpoint of an art historian. She believes in her case that by grouping artifacts that were fabricated to represent ideals and stories of a culture under the category of the fine arts, there is a loss in the understanding of the historical item itself. Notwithstanding, Dean's own words tin can be used against her argument, "art is an cryptic term". Then if fine art can be ambiguous, why does all art have to fit into the category of her definition of fine art?
Fine art definitively is a refined form of skill but fine art is besides a form of expression. The primitive art forms she harps on, are simply an expression of belief, faith and culture. Plainly the modernist view of what fine art is has shifted. These rocks during the time they were fabricated were not regarded equally fine art and in fact, the term of art being discussed was not coined until the 18th century. These artifacts are now existence divers as art because of the similarities in craftsmanship and technique. Nevertheless, Dean does waiver in her argument past presenting some alternatives suggesting these primitive forms should be referred to in indigenous terms instead of being referred to equally art. "Thus, while I would argue that indigenous terms and concepts are important to consider and talk over, information technology is clear that, for the nearly part, The solution is non a simple substitution of native words that approximate conventional art-historical terms and and then permit us to go on with business as usual".
Although Dean presents a very feasible solution to the problem a hand, her solution makes the situation more than complicated. Past putting these artifacts in indigenous terms, it would take away the universality that the term "art" has given them. Secondly, most of the indigenous terms she refers to are in a dead linguistic communication. For case, Incan has not been spoken in centuries and very few people empathise the language itself. In either circumstance, Dean recognizes that goose egg will fully be able to stand for the total light of these pieces as they are stuck somewhere in limbo between art and artifact. The ideas presented in Dean's commodity are relevant in this course. Throughout this course we analyze pieces from all different cultures and times. The pieces featured in each module are some that Dean would non categorize every bit art due to their historic period and historical/cultural significance. Opposite to her thesis, in this form we refer to all the information discussed every bit "fine art". Fine art is so diverse that we cannot ascertain what is and what is non; we are surrounded by it everywhere. Art tin can be anything and doesn't necessarily accept to be painted on a canvas or sculpted out of marble. The idea of art is i of expression: anything we limited ourselves through is art. Dean'south argument is 1 that reflects a western-dominated view. Her whole statement is based on the fact that if we slap the label art on annihilation primitive information technology loses its original values. Dean'south argument itself is relevant in the fact that it discusses the question of where we draw the line betwixt art and artifact. Furthermore, her argument is conceptually irrelevant in the notion that these artifacts are not nether the umbrella of fine art. She argues that fine art should non exist a wide spectrum when in reality art does not take to be "art" conceptually to formally be a categorized as such.
The term art is too universal to narrow it down to fit nether ane definition or category. Simply because the art community labels them as art does not hateful they completely lose their significance in the history customs.
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